By Ray Pride “Beards, bluegrass,” I start, and my friend frowns, “tragic and perhaps doomed romance”—“Okay, now keep going,” she says—“plus a female protagonist who has her own tattoo parlor.” “I’m in!” she says. A Dutch melodrama about modern romance, bluegrass, tattoos: that had been the description that left me less-than-curious about Felix van Groeningen’s […]
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